As I said, I knew this debate was far from over. This was a classic post to
stir our resident conspiracy theorists ...
Post by RikardThey were NOT in a "recording" studio, Angus and Malcolm were kicking
around riffs in a rehearsal studio in London (EasyHire). Bon joined in on
drums on some of theses sessions and an early instrumental only version of
"Let Me Put my Love Into You" was allegedly played. No lyrics were penned at
these sessions,
Post by DaveYou don't think Bon would have been thinking of ideas for lyrics as a result
of these sessions??
Very likely yes. He was getting ready and he probably scribbled down more
than a few notes. Most likely is that Mal and Angus already had working
titles for some crude song arrangements and they were given to Bon to spin
off on but I believe that no lyrics that went on Back In Black even as
partials were penned by Bon as a result of these sessions.
On another note:
The stylistic lyrical similarities between HTH and BIB must (IMO) be
accredited to Mutt Lange more than Bon. Compared to Powerage ( some of Bon's
best lyrics IMO) HTH is simplistic in extremis. If you listen to the Highway
To Hell the verse is schoolbook Mutt Lange tempo phrasing, he wanted Brian
to use the same phrasing on YSMANL but was overruled. From Powerage to HTH
the lyrics went form being well versed narrative to simplistic cliché, still
with more than a touch of Bon but simplistic nevertheless. Just compare the
Volts versions to the HTH versions, they're different songs all together!
Mutt was more into rearranging and putting his own touch to it than George
and Harry ever were. Mutt has made a formula of this over the years, which
has led to that Bryan Adams, Def Leppard and Shania Twain albums, for a
long time, more or less sounded the same. I can elaborate more on this if
someone is interested but it requires a new thread ...
Post by Rikardthe infamous notebook with lyrics that a roadie claims he got from Bon's
apartment after Bon's death is yet to surface but personally I think that
that is a legend, a "ghost" if you will.
Post by Davehis ideas down?? Representatives of DC's management wuzn't in Bon's
appartment shortly after his death??
Of course Bon had a notebooks, what I'm saying is that this particular
notebook, the one allegedly taken by Ian Jeffery containing 15 full lyrical
sheets, is a load of BS (IMO).
I will elaborate and speculate some on this though. The stolen notebook may
be real but may have fook'all to do with AC/DC. It's known that Bon was
seriously entertaining the thought of a solo album (Bonfire) and that he
probably had a lot of lyrics that didn't fit the DC format. Some info even
suggests that he didn't even bother to show some ideas to the Young's, which
is plausible as it happens in every band. Some song just don't fit the
format or you just want to keep them for yourself cause they're your babies.
But until that notebook is made public it's a BS story, no more no less.
Post by RikardEither way all, and I mean ALL, people who were around Bon at the time say
the same thing, he was getting ready but nothing had been written
specifically for a new album.
Post by DaveIf no one from the DC camp had really seen much of Bon the last month
leading up to his death except for the occasional jam sessions as you have
outlined above...how would anyone know what the hell Bon wuz up to or be
able comment on what he wuzn't up to (ie-writing lyrical ideas)??
Where from have you gotten the notion that Bon was all by his lonesome
during the month preceding his death? AC/DC toured up until the 27th of
January, Angus and Ellen got married and DC made an impromptu gig at the
reception , they taped two playback performances on TOTP and the Aplauso
show in Spain, he entertained two relationships with Anna (Baba) and Silver
Smith, hung out and recorded with Trust, sat in on the jam sessions with
Angus and Malcolm, met other friends ... he was not even close to being
alone. A lot of people have commented on Bon's frame of mind those last days
and they don't differ much.
I'll rephrase some Ok? Bon was always scribbling down lyrical ideas, short
phrases and spin offs on titles, titles that were more than often pegged by
either Malcolm, Angus or even George. But he was just getting ready on
penning for real on a "new album". As for the lyrical process, from what we
know. Bon didn't start on a whole song until the music was more or less
finished, which it wasn't at that point. This is something that didn't
change until Mal took over the whole process for TRE.
Post by RikardBack In Black was included in the Bonfire boxset because BIB was made in
Bon's memory and the Bonfire box was made as a tribute, simple chronology
and AC/DC history.
Post by DaveThat all sounds nice...but there's also the reasoning of boosting album
sales and giving Brian a slice of the pie from the release.
What Badlands said ...
Post by RikardThese are all known facts and I believe them to be accurate at large as
many different sources, both within and outside the DC camp, have stated the
same over the years.
Post by DaveGod forbid there be margin for error in the DC camp.
I'll end this installment with this quote from Silver Smith:
"There was a lot of weird shit after he died. The flat (Bon's) was closed
off, and that's probably the sort of thing that would send people off on
conspiracy theories, because it suggests there's something to hide, and
there's nothing to hide".